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・ Obliging Young Lady
・ Oblik
・ Oblik (mountain)
・ Oblikë
・ Oblikë e Sipërme
・ Oblimersen
・ Oblin
・ Oblin-Grądki
・ Oblin-Korczunek
・ Oblinghem
・ Obliq
・ ObliqSound
・ Obliquaria reflexa
・ Oblique
・ Oblique (album)
Oblique (film)
・ Oblique Angle
・ Oblique arytenoid
・ Oblique case
・ Oblique cord
・ Oblique correction
・ Oblique dendrite
・ Oblique effect
・ Oblique foliation
・ Oblique icebreaker
・ Oblique muscle
・ Oblique muscle of abdomen
・ Oblique muscle of auricle
・ Oblique muscle of eye
・ Oblique order


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Oblique (film) : ウィキペディア英語版
Oblique (film)
''Oblique'' (2008) is a film by the Norwegian artist Knut Åsdam (1968).
==Synopsis==
The 13 minute film ''Oblique'' (2008) is an articulation of identity in transition. The entire film was shot on a train moving through a continuous mass built from cities and their adjoining regions. The characters are traveling in the suspended generic space of the train through regions composite of old and new economies and old and new social realities: Newly built outer areæ around the cities, construction sites, institutional and office buildings, transitory places, between growth and collapse, marked by quasi-contradictory processes of economic progress and development of slums. On the train coach itself, a targeted but sometimes absurd narrative plays itself out as a linguistic reaction to the time and place.
Urban environments, and their heterotopic sites, are locations for Knut Åsdam's investigations into social design, patterns of behavior and modes of subjectivity, with a particular focus on spatial identity's disorder and pathologies. Åsdam perceives a city as a machine of desire, its geography as a system of desire and its architecture as a generator of desiring practices. Usage and perception of public urban spaces, their structures of political power and authority occupy a central place in the artist's studies of identities.
''Oblique'' premiered for Manifesta7 in July 2008.
*Written and directed by: Knut Åsdam
*Produced by: Manifesta7, FRAC Bourgogne, Galician Contemporary Art Center (CGAC) with the support from Office for Contemporary Art Oslo, Galleri SE Bergen, Galería Joan Prats Barcelona and the Cultural Council of Norway

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